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A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.

About 10 Cloverfield Lane

Artist : Josh Campbell, Matthew Stuecken
As : Mary Elizabeth Winstead, John Goodman, John Gallagher Jr
Title : Movie 10 Cloverfield Lane Full Movie
Release date : 2016-03-11
Movie Code : 1179933
Duration : 110
Category : Drama, Mystery, Sci-Fi, Thriller

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Comment For 10 Cloverfield Lane Ver Pelicula

Name : Colin Covert / Alias : Minneapolis Star Tribune
The point of this precisely crafted film is psychological possibility. It creates a kind of Hitchcockian thriller where uncertainty soaks the story and spreads across the atmosphere like blood on a shirt.

Name : Mara Reinstein / Alias : Us Weekly
For the love of Google, don't scour the web for third-act spoilers. Just know that an old-fashioned scary movie can still make you squirm, laugh and gasp for air.

Name : Adam Graham / Alias : Detroit News
Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.

Name : Michael O'Sullivan / Alias : Washington Post
Goodman's performance, while unhinged, never veers into caricature. Similarly, Winstead avoids the cliche of the tank-top-wearing bimbo/victim, bringing an earthy self-reliance to her role.

Name : Brian Truitt / Alias : USA Today
A well-crafted affair by debuting director Dan Trachtenberg that mixes elements of an intimate stage play with the white-knuckled tension of a cracking good Twilight Zone episode.

Name : Michael Phillips / Alias : Chicago Tribune
Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.

Name : Ethan Sacks / Alias : New York Daily News
The best reveal of "10 Cloverfield Lane" is that the script from Josh Campbell, Matthew Steucken and Damien Chazelle ("Whiplash") is strong enough to have made a compelling stageplay instead of a creature feature.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's lean, and taut, and tense, and moves with Swiss-clock precision. Still, it's not as scary as you want it to be.

Name : Soren Anderson / Alias : Seattle Times
Rather than something truly wild and way, way off the wall, "10 Cloverfield Lane" is a variation on the "don't go down into the basement" school of scary moviemaking, only this time with a 180-degree twist.

Name : Peter Howell / Alias : Toronto Star
From its Hitchcock opening to its eye-popping ending, Dan Trachtenberg's feature debut keeps us wondering about what's really going on, even as we root for Mary Elizabeth Winstead's spunky entrapped protagonist.

Name : James Berardinelli / Alias : ReelViews
Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.

Name : Steve Tilley / Alias : Toronto Sun
The more you know about it, the less fun it will be.

Name : Justin Lowe / Alias : Hollywood Reporter
Although some may miss the immediacy of a rampaging kaiju destroying everything in its path, this is an entirely different breed of movie that's potentially even more effective for its shift in style and tone.

Name : Alan Scherstuhl / Alias : Village Voice
As a gamelike, simulationist PG-13 horror chamber piece, 10 Cloverfield Lane is a success: well shot and -staged, arrestingly acted, edited with a crisp unpredictability.

Name : Scott Tobias / Alias : NPR
Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy .

Name : Steven Rea / Alias : Philadelphia Inquirer
Thumpingly exhilarating .

Name : Stephanie Zacharek / Alias : TIME Magazine
Not an outright Cloverfield sequel but rather, as Abrams has put it, a "spiritual successor." It's also a better movie, one with a sense of humor about itself and its genre.

Name : Barry Hertz / Alias : Globe and Mail
This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable - Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.

Name : Amy Nicholson / Alias : MTV
Great publicity, dumb move. The title alone is a spoiler.

Name : Matthew Lickona / Alias : San Diego Reader
Just serviceable bunker thriller that asks the question, "Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?"

Name : Mark Olsen / Alias : Los Angeles Times
It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.

Name : Stephen Whitty / Alias : Newark Star-Ledger
I sure hope there's an "11 Cloverfield Lane."

Name : Will Leitch / Alias : The New Republic
The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.

Name : Sara Stewart / Alias : New York Post
Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.

Name : Bill Zwecker / Alias : Chicago Sun-Times
Unpredictability in cinema is frequently a missing element - especially when we're talking about movies that fall into the horror or science-fiction genres. With 10 Cloverfield Lane, there is no such problem. Trust me.

Name : Jocelyn Noveck / Alias : Associated Press
Trachtenberg scares the wits out of us a few times, and then he launches into a climax that will have many talking - though I found it somewhat disappointing, a little predictable, and frustratingly baffling. But you might love it.

Name : David Edelstein / Alias : New York Magazine/Vulture
10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.

Name : Rafer Guzman / Alias : Newsday
"10 Cloverfield Lane" is as economical as a stage play but packs in plenty of visceral violence and visual surprises. Whether you've seen the first film or not, this one is a thoroughly entertaining treat.

Name : Mick LaSalle / Alias : San Francisco Chronicle
At one point, this movie had me so on edge that I had a fleeting impulse to run out of the theater. It might be weird to say that and mean it as a compliment, but good thrillers work that way sometimes.

Name : Peter Travers / Alias : Rolling Stone
the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.

Name : Justin Chang / Alias : Variety
A sensationally effective semi-sequel that bears virtually no narrative or stylistic resemblance to its predecessor .

Name : Joshua Rothkopf / Alias : Time Out
Producer J.J. Abrams, a brilliant marketer, has to eventually open his "mystery box," and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.

Name : A.A. Dowd / Alias : AV Club
There's a fine, nerve-jangling little psychological thriller here. Pity it couldn't have been allowed to just be that.

Name : Rene Rodriguez / Alias : Miami Herald
Tamp down those expectations, then tamp them down some more.

Name : Alonso Duralde / Alias : TheWrap
Even if this tale might have been better served as a 40-minute short than as a full-length movie, first-time feature director Dan Trachtenberg has cast a trio of actors at the top of their game, and they elevate the material.

Name : Richard Brody / Alias : New Yorker
Trachtenberg . smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.

Name : Jeannette Catsoulis / Alias : New York Times
A master class on narrative pacing and carefully managed jolts.

Name : Bill Goodykoontz / Alias : Arizona Republic
Trachtenberg is patient building this world, and the actors do a good job inhabiting it.

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Two brothers (Owen Wilson and Ed Helms) hit the road to find their long-lost dad after they learn that their mom has been lying to them about his death. This comedy was directed by Lawrence Sher.

About Bastards

Artist : Ed Helms, Owen Wilson, Ving Rhames, J K Simmons, Terry Bradshaw
As : , , Rod Hamilton, ,
Title : Premium ✪ Access Download Bastards Full
Release date : 2017-01-27
Movie Code : 0460012
Duration : 120
Category : Comedy

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Name : Stephen Whitty / Alias : Newark Star-Ledger
It's these fine sequences that can make you truly regret Tarantino's snarky, in-joke impulses, not to mention his arrogant - perhaps even dangerous - lack of concern with the story's moral dimensions.

Name : Michael Phillips / Alias : Chicago Tribune
I don't know if I've ever seen a revenge fantasy so willfully messed up, sometimes offensively so, that still manages to be worthwhile for whole sections of its 2 1/2 hours. The opening is as good a sequence as Tarantino has ever created.

Name : Peter Howell / Alias : Toronto Star
These Basterds blend into a much richer story, a hugely entertaining one with stars you don't immediately see shining.

Name : Ben Mankiewicz / Alias : At the Movies
This is a seriously provocative film.

Name : Keith Phipps / Alias : AV Club
There's a feast here, particularly in the amazing opening, an unexpected essay on King Kong, and performances by Pitt, Laurent, and Waltz. It's just been placed on a huge table with no consideration of whether it adds up to a meal.

Name : Dave Calhoun / Alias : Time Out
'Subtle' is not a word in Tarantino's lexicon. At the film's heart is a fatal attempt to conflate fact with fiction and a celebration of vengeance that's misplaced and embarrassing.

Name : Owen Gleiberman / Alias : Variety
The madly teeming pop-cartoon paintings of Robert Cenedella anchor a lively look at a self-styled superstar of outsider art.

Name : Claudia Puig / Alias : USA Today
The outcome is gory and glorious.

Name : J. R. Jones / Alias : Chicago Reader
Inglourious Basterds is a social marker as startling as Easy Rider was in its day.

Name : Scott Von Doviak / Alias : Fort Worth Star-Telegram/DFW.com
For anyone who has been hoping to see Tarantino back at the top of his game, the must-see movie of the summer has finally arrived.

Name : Tom Charity / Alias : CNN.com
Waltz will be unknown to most American audiences - he was certainly unknown to me - but he's nothing less than sensational as the silky, polyglot SS officer charged by the Fuhrer to root out the remaining Jews in France.

Name : Dana Stevens / Alias : Slate
Tarantino's signature nastiness and his juvenile delight in shocking the audience undercut the movie's larger purpose.

Name : Peter Travers / Alias : Rolling Stone
Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it.

Name : Elizabeth Weitzman / Alias : New York Daily News
When a man makes a movie this good, you can forgive him the occasional indulgence.

Name : Richard Corliss / Alias : TIME Magazine
Many Tarantino movies are female revenge fantasies, in which strong women plot the deaths of men who wronged them. In Shosanna and Bridget, the writer-director has fashioned two of his steeliest, most principled femmes fatales.

Name : Ben Lyons / Alias : At the Movies
Superbly acted and well constructed, each scene is paced to a chaotic climatic frenzy.

Name : David Edelstein / Alias : New York Magazine/Vulture
The movie is an ungainly pastiche, yet on some wacked-out Jungian level it's all of a piece.

Name : Nick Schager / Alias : Village Voice
Manages to be as cursory as it is intimate, skimming over so much of Cenedella's life and career that it imparts only a hazy impression of who he is and what he believes.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The secret sauce of this delicious romp is the joy of hanging out with a delightfully unruly rebel with a paintbrush.

Name : Sheila O'Malley / Alias : RogerEbert.com
Engaging and thought-provoking .

Name : Rene Rodriguez / Alias : Miami Herald
Inglourious Basterds transcends the war genre to become its own kind of unique picture: A bloody blast of pure movie bliss.

Name : Tomris Laffly / Alias : Time Out
Breezy and vivid, Art Bastard ultimately delivers the person: criminally underrated yet still principled and generous.

Name : David Denby / Alias : New Yorker
Inglourious Basterds is not boring, but it's ridiculous and appallingly insensitive-a Louisville Slugger applied to the head of anyone who has ever taken the Nazis, the war, or the Resistance seriously.

Name : Eric Kohn / Alias : indieWIRE
Despite the injection of content from a variety of directions, Basterds lacks the crackly excitement of Tarantino's other efforts, mainly because he can't seem to tie the whole package together.

Name : Rex Reed / Alias : New York Observer
World War II was more serious, complex and horrifying than all this comic embellishment, but if I sound critical, I apologize in advance. I had a helluva time watching Inglourious Basterds.

Name : Tom Maurstad / Alias : Dallas Morning News
Scenes like the showdown in the tavern and the movie-premiere finale are as imaginative, energetic and, in their own weird, brutal way, beautiful as cinema gets.

Name : Peter Rainer / Alias : Christian Science Monitor
Landa is such a wily and despicable concoction that, in movie terms, he's almost impossible not to like. And therein lies part of my problem with this movie.

Name : Rick Groen / Alias : Globe and Mail
War reduced to pop entertainment should at least be easy to swallow, but this stuff keeps getting stuck in our craw. The trash that Tarantino used to elevate he now imitates.

Name : J. Hoberman / Alias : Village Voice
Energetic, inventive, swaggering fun, Quentin Tarantino's Inglourious Basterds is a consummate Hollywood entertainment - rich in fantasy and blithely amoral.

Name : Tom Long / Alias : Detroit News
Basterds is not great Tarantino but it's solidly good Tarantino, and that's sweet news for his fans.

Name : Laremy Legel / Alias : Film.com
Like a bat to the head, it's not too subtle, but you can't help but watch.

Name : Lou Lumenick / Alias : New York Post
Quentin Tarantino's extremely witty revenge fantasy Inglourious Basterds may be the most fun you'll have at the movies this summer.

Name : Jonathan F. Richards / Alias : Film.com
Its biggest flaw, though, for those who care about such things, may be its moral attitude. That might seem a stodgy thing to bring up in the context of a Quentin Tarantino movie, but it takes such center stage that it needs to be examined.

Name : Christopher Orr / Alias : The New Republic
The true moral universe in which the film unfolds is that of the spaghetti westerns.: a world in which the strong are above the law and the way to tell the good guys from the bad guys is not by their acts but by the kind of hats they wear.

Name : Robert Abele / Alias : Los Angeles Times
Though "Art Bastard" is a zesty, engaging documentary about a veteran outsider, when it comes to his complexities, it's not terribly cohesive.

Name : Stephanie Merry / Alias : Washington Post
Cenedella is rough around the edges, yet he remains fascinating.

Name : Steven Rea / Alias : Philadelphia Inquirer
Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating.

Name : Stephen Holden / Alias : New York Times
"It's not what they show, it's what they don't show," the painter Robert Cenedella complains in "Art Bastard," Victor Kanefsky's robust, plain-talking documentary portrait of this lifelong rebel and art-world gadfly.

Name : Kenneth Turan / Alias : Los Angeles Times
Clocking in at 2 hours and 32 minutes, it is unforgivably leisurely, almost glacial, a film that loses its way in the thickets of alternative history and manages to be violent without the start-to-finish energy that violence on screen usually guarantees.

Name : Joanne Kaufman / Alias : Wall Street Journal
All the trademark Tarantino flourishes are here - the joyous splaying of gore; the self-referential dialogue; the artful artificiality and the juxtaposition of humor and violence - but they don't add up to much.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds.

Name : Mick LaSalle / Alias : San Francisco Chronicle
The picture contains all the things his fans like about Tarantino - the wit, the audacity, the sudden violence - but this movie's emotional core and bigness of spirit are new.

Name : Roger Ebert / Alias : Chicago Sun-Times
Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights.

Name : John Hartl / Alias : Seattle Times
Tarantino's wartime fantasies may leave history in the dust, but his movie is a surprisingly satisfying contribution to movies about the Holocaust.

Name : Amy Nicholson / Alias : I.E. Weekly
Basterds isn't a deep film - honestly, what Tarantino flick is? - but it has moments as sharp as a bayonet and as perverse as war itself.

Name : Frank Scheck / Alias : Hollywood Reporter
Art Bastard shines brightest not as a biographical portrait - an aim in which it succeeds only sporadically - but rather as a showcase for the highly imaginative and thoughtful works by the now 76-year-old, too-little-known painter.

Name : Rafer Guzman / Alias : Newsday
Tarantino is the most fearlessly inventive filmmaker alive - but we knew that. And while Inglourious Basterds is never anything less than ridiculously entertaining, it's nothing Tarantino hasn't done before.

Name : Scott Marks / Alias : San Diego Reader
You may not recognize the name going in, but after spending 82 minutes watching director Victor Kanefsky cast a heartfelt lens in Cenedella's direction, you'll never forget him.

Name : Todd McCarthy / Alias : Variety
By turns surprising, nutty, windy, audacious and a bit caught up in its own cleverness, the picture is a completely distinctive piece of American pop art with a strong Euro flavor that's new for the director.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Austrian actor Christoph Waltz 
 triumphs, heroically, over Tarantino's brash, cine-drunk tall tale.

Name : Roger Moore / Alias : Orlando Sentinel
Inglourious is slow, dumb - and in a first for QT in his cinema savant career - incompetent.

Name : Christy Lemire / Alias : Associated Press
If only Quentin Tarantino the director weren't so completely in love with Quentin Tarantino the writer, Inglourious Basterds might have been a great movie rather than just a good movie with moments of greatness.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Cenedella may never become a household name, but "Art Bastard" argues persuasively that fame is overrated.

Name : Bob Mondello / Alias : NPR
'Art Bastard' is a film about a man who has tilted - and continues to tilt - at the art-world equivalent of Don Quixote's windmills.

Name : James Berardinelli / Alias : ReelViews
With Inglourious Basterds, Quentin Tarantino has made his best movie since Pulp Fiction. He has also made what could arguably be considered the most audacious World War II movie of all-time.

Name : Ty Burr / Alias : Boston Globe
Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away.

Name : Stephanie Zacharek / Alias : Salon.com
Quentin Tarantino seems to be hanging on to a lost world of moviemaking. He may be nuts. But he's a nut who cares.

Name : Manohla Dargis / Alias : New York Times
Simply another testament to his movie love. The problem is that by making the star attraction of his latest film a most delightful Nazi, one whose smooth talk is as lovingly presented as his murderous violence, Mr. Tarantino has polluted that love.

Name : Bill Goodykoontz / Alias : Arizona Republic
Tarantino crams enough movie-loving passion into the film to keep you not just entertained but occasionally riveted. Above all else, it's a really enjoyable ride.

Name : Ann Hornaday / Alias : Washington Post
For all its visual bravura and occasional bursts of antic inspiration, it feels trivial, the work of a kid who can't stop grabbing his favorite shiny plaything.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its exploded notions of heroism, torture-rack dramatics and kamikaze gusto, it's a fiendishly entertaining flick.

Name : Richard Roeper / Alias : Richard Roeper.com
One of the best performances of the decade in one of the most entertaining movies of the year.

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